The search for The Wildlife Society logo began in
1937, when the first issue of The Journal of Wildlife Management was being created. Editor
W. L. McAtee wanted “a simple, well-composed design” with “representations of
all the important elements involved in the wildlife field” (McAtee 1937). Finding that task “impossible,” he requested a study of symbols and pictorial writing by aboriginal Americans. Yet those symbols did not adequately represent the inter-connectedness of animals, plants, and other elements of the ecosystem.
The secretary of TWS, Victor Cahalane, thought that Egyptian hieroglyphics might be a possibility, so J. E. Lodge, curator of the Freer Gallery of Art in Washington, D.C., provided photographs of several relevant symbols that represented beasts, birds, fishes, and flowering plants. National Park Service artist Walter Weber then reproduced the chosen symbols in a pen and ink drawing—and the logo was born.
Since then, the logo has changed very little, except for the 1977 addition of the words “The Wildlife Society” within an L-shaped frame. The logo has adorned all TWS publications, been adapted by subunits, and been made into pins to honor Society notables such as past presidents, honorary members, and TWS fellows. Despite suggestions in recent years to design a new logo, Council has always chosen to uphold this piece of our history, which is as old as the Society itself.




NBC’s Coverage of Wild Horse Roundups Raises Objections
Horse advocates have been trying to educate the public about the BLM m
As Waterfowl Hunters Decline ...
One very important issue in the decline of duck hunter numbers is the
The Challenge of Wolf Recovery
Wildlife managers seem to always assume the need for restricting wolf
Ants for — and as — Wildlife
Not mentioned was "anting" behavior in birds, perhaps because the sugg
As Waterfowl Hunters Decline ...
Duck numbers are up but compared to past decades areas that were opene